Laurie D. Graham: Jan, you and I have worked together a number of times now in a few different editorial capacities, and I count myself lucky to have edited your work. I’ve learned a lot from doing so. I . . .
Please join us later in March on Brick‘s YouTube channel for The Craft of Editing, a series of in-depth discussions between recent Brick contributors and the magazine’s editors. Writers of non-fiction at all stages of their careers . . .
My grandfather says we can eat what we kill.
We wade into the water and find a shark.
In the latent night, we carry it home across
the mountain. I memorize the way your feet step
before mine, . . .
It was dark and I could hear the cicada out the window, where there is a lawn, several very large pine trees, and a pond, and it was going like crazy—dur-rip, dur-rip. Sometimes dur-rip-a-rip, but in no . . .
A version of this conversation was broadcast on Writers & Company on CBC Radio One in 2020, produced by Sandra Rabinovitch.
Maaza Mengiste was born in Addis Ababa in 1971, just a few years before the overthrow of Emperor Haile . . .
Dear Krito, don’t come today. If you do, I’ll have to pretend to be asleep or ashamed or explain why I sent my wife home. Tears are all about the weeper, aren’t they? My kid has more sense. She was . . .
Episode 8 of the Brick Podcast features Brick publisher Laurie Graham speaks with poet Sharon Olds to discuss everything from Olds’ strict religious upbringing to looming environmental catastrophe. They consider how even the most difficult or seemingly private things about . . .
Episode 7 of the Brick Podcast features a conversation with Souvankham Thammavongsa, wherein pushes back against being underestimated. She discusses her new short story collection How to Pronounce Knife, her Randy Travis fandom, and giving Little Red Riding Hood . . .
I.
A year ago, almost to the day, my friend Enrique de Hériz—novelist, translator, clarinet player, amateur magician, knowledgeable sailor, and marathon runner—was diagnosed with lung cancer. He had been my only acquaintance when I arrived in Barcelona in October . . .
Episode 6 of the Brick Podcast features Brick editor Liz Johnston in conversation with Amitava Kumar to consider the nature of memory, the interplay of fact and fiction, and the power (and limitations) of the written word. (This interview was . . .
If one of your resolutions for 2020 was to read more, we’ve got just the thing to help! Our Get Current Deal—the most recent four issues of Brick (101, 102, 103, and 104)—is only $20 (plus shipping). A fantastic way . . .
I started dragging Cézanne
on Twitter—the bot posting
canvases, no discernible order—
about a year back, on his
birthday, which is my birthday,
making us each as earthy, as
stubborn, practical, not given
to extravagance, self-reliant,
detached, . . .
1. She tastes rocks. She works up north, near Svalbard, putting small rocks to her tongue. By taste she can identify which are calcified, which, in other words, are not mere rocks but possibly fossils. The country is old. There . . .
Over the last few months Brick folk have been working quietly on digitizing past issues. Now, we’re so excited to share with you that Brick‘s entire Modern Archive–that’s eight years, or the last sixteen issues–is available online, . . .
Materials for making a death mask:one handful alginatesufficient tap waterplaster bandageshalf a bedsheet, tornone plastic garbage bag, torna good pound of beeswaxTools: one large bowl, a long-handled spoon, a single-burner stove, a saucepan, . . .
Before I discovered poetry—whimsically at thirteen, seriously at fifteen—I entertained several fantastic enthusiasms. As a boy, aged five to ten, I planned to be an astronaut. That dream faded when I learned—drat!—that wearing glasses disqualified me for the military pilot . . .
Herpatologist. In 1976 I was ten years old and about as ugly as a wet stoat, and by no little coincidence I spent a certain about of time by myself. In the summers, while the other boys were out on . . .
Brick will celebrate the launch of the Winter issue on Monday, December 2, at 7:30 p.m. at the Gladstone Hotel’s Melody Bar, with readings by Souvankham Thammavongsa and Ken Babstock and a celebration of translation with Canisia Lubrin, Anne McLean, . . .
Liu Yiduo points to the lever at the foot of the bed and says to me, Crank this six times to make it recline and he’ll be able to drink. Twelve times to sit upright, and if he starts to . . .
1.
Apartment blocks built in the 1980s have left strange blank spaces in East German cities, particularly Berlin. There are many unsightly gaps from one house to the next, especially between Wilhelminian and communist buildings. These gaps, which I call . . .