Say woodcutter, not tyrant. Repetition, not
apocalypse. Love, not disappearance.
Melancholy, not depression. Derrida says that the
melancholic is one who refuses to forget. That
melancholy is necessary. I have learned to keep my
hands on melancholy. A death, another, and
another, more woodcutters, more holes in the
ground. What if the earth was meant to die, like a
thing we jumped on that was already moving?
Maybe the melancholic’s problem is a desire to
remember everything. When everything has
already been decided, the pictures already taken.
This morning, my daughter walked to the coffee
shop on her own, amid the indifferent trees. Her
gait doubled overnight. She broke up with a boy.
Her melancholy weaved into my melancholy, the
way trees stand next to each other in purples and
yellows without touching. Melancholy is to
remember that the houses were wonderful even
when the childhood wasn’t. Depression is to
remember that the houses and the childhood
weren’t wonderful, but to think they were.
VICTORIA CHANG’s most recent book of poems is With My Back to the World, published in 2024 by Farrar, Straus and Giroux. She is the Bourne Chair in Poetry at Georgia Tech and director of Poetry@Tech.